2016 welcomed a fusillade of new cameras versed with 4K video recording, and now roughly each critical camera manufacturer has implemented 4K sharpened somewhere in their lines.
Perhaps many impressively, a record has been successfully stretched over models of all billings. So, either you’ve usually got a few hundred pounds to spend or you’re peaceful to widen to a large four-figure sum, it’s expected we can means a camera with a record on board.
Just given dual cameras have 4K recording, however, doesn’t meant to contend they’re equal. The use of opposite sensors and opposite methods of capture, together with variations in outlay possibilities, meant dual 4K cameras can act utterly differently.
Even something as elementary as either a camera uses a full breadth of a sensor or relates a stand cause is critical to consider, as this has a poignant outcome on your effective angle of view. And all of a above is before we even cruise ancillary facilities such as headphone sockets, concentration peaking, zebra patterning and Log profiles.
To make things simple, we’ve dull adult what we cruise are a fittest 4K cameras on a marketplace right now, and sum adult because they’ve done a cut.
1. Panasonic Lumix GH5
The Lumix GH5 is a feature-laden 4K workhorse
Type: Mirrorless | Sensor size: Micro Four Thirds | Resolution: 20.3MP | Lens: Micro Four Thirds | Viewfinder: EVF | Monitor: 3.2-inch vari-angle display, 1,620,000 dots | Maximum continual sharpened speed: 12fps | Movies: 4K | User level: Expert
It’s tough to know where to start with a GH5. Rather than regulating a cropped area of a sensor when sharpened 4K as was a box with a GH4, a GH5 uses a whole breadth of a chip and afterwards downsamples a footage in-camera. This also means that framing won’t be cropped, and you’ll be means to use your lenses as if you’re sharpened stills. Currently a Lumix GH5 allows we to glow Cinema 4K (4096 x 2160) during 60p with a bit rate of 150Mbps, while Full HD video is apparently also possible, adult to a really considerable 180p. That’s not all, as a GH5 offers tone subsampling during 4:2:2 and a tone abyss of 10-bit, delivering incomparable tone information and richer graduations. The GH5 also offers live outlay to outmost recorders such as Apple ProRes around HDMI, as good as coexisting inner recording. That’s positively a extensive video spec, though Panasonic is also formulation to deliver a array of firmware updates over a entrance months to accelerate a GH5’s recording capabilities even further.
Read a full review: Panasonic Lumix GH5
2. Sony Alpha A7S II
Excellent footage, outrageous energetic operation and a compress distance – what’s not to like?
Type: Mirrorless | Sensor size: Full-frame CMOS | Resolution: 12.2MP | Lens: Sony E mountain | Monitor: 3.0-inch sloping display, 1,228,800 dots | Viewfinder: EVF | Maximum continual sharpened speed: 5fps | Movies: 4K | User level: Expert
At a time of a A7S II’s examination we pronounced it was a best video-shooting stills camera available, and while many has altered in a marketplace we still reckon it’s a constrained choice for a videographer. One of a critical offered points during launch – inner recording of 4K footage – has given been matched by many others, though it’s a medium pixel count of a sensor that splits it from a rivals. We found a energetic operation to be really high, and consistently improved than rivals during aloft sensitivities, while sound was also shown to be reduce than cameras with some-more populated chips. It also has a advantage of regulating a whole sensor breadth for recording video, and of being means to record to a memory label while outputting 4:2:2 footage to a HDMI recorder, though proves itself to be able for stills sharpened too. Autofocus is generally quick and built-in picture stabilisation is a outrageous bonus, while a physique is sturdier than a predecessor’s too. Overall, while it competence not be a newest model, a sensor and video specs give it a handful of advantages over a rivals.
Read a full review: Sony Alpha A7S II
3. Sony Alpha A6500
Sony’s 4K-enabled APS-C indication is a smasher
Type: Mirrorless | Sensor size: APS-C | Resolution: 24.2MP | Lens: Sony E mountain | Monitor: 3-inch sloping touchscreen, 921k dots | Viewfinder: EVF | Maximum continual sharpened speed: 11fps | Movies: 4K | User level: Intermediate
The prior APS-C-based Alpha A6300 was a large strike with fan users, and a Alpha A6500 builds on a success in many ways. The camera annals 6K footage that’s downsampled to 4K for a advantage of quality, and uses a fit XAVC S codec that has a rate of 100Mbps. This is assimilated by Log gamma modes, 120fps HD recording (also during 100Mbps) and extended zebra patterning to keep an eye on exposure. You also advantage from a 425-phase-detect-point focusing complement for quick concentration and a 2.36-million-dot OLED viewfinder, together with 11fps detonate sharpened during full resolution, all inside a dust- and moisture-resistant body. That’s not to discuss a acquire further of Sony’s 5-axis in-body picture stabilization system. Now that a cost has started to tumble it would also be a glorious choice as an ascent over prior APS-C-based Sony models.
Read a full review: Sony Alpha A6500
4. Canon XC10
And now for something totally different…
Type: Hybrid | Sensor size: 1-inch CMOS | Resolution: 12MP | Lens: 24.1-241mm | Monitor: 3-inch touchscreen, 1.03million dots | Viewfinder: None (loupe provided) | Maximum continual sharpened speed: 3.8fps | Movies: 4K | User level: Expert
The XC10 is maybe a least-conventional indication on this list, though it’s a viable choice to a company’s other, pricier, Cinema EOS models. Designed for video though with high-quality stills in mind too, a indication blends a 12MP 1-inch CMOS sensor with a 24.1-241mm image-stabilised lens, and packages it in a comparatively compress physique whose tractable reason provides glorious flexibility. It annals 4K UHD footage during 8-bit 4:2:2 footage internally, and we can call on a Canon Log choice to constraint adult to 12EV stops of energetic range. You also get a built-in ND filter, purify HDMI outlay and concentration peaking, and Canon even throws in a loupe so that we can use a behind LCD touchscreen many like an electronic viewfinder. With a smaller sensor than some-more normal options, and during a identical cost point, it competence not be a best choice for low-light shooting, though when we cruise a wizz lens, form cause and value for money, it scores lots of points. The indication was recently superseded by a XC15.
5. Olympus OM-D E-M1 Mark II
Top-end OM-D indication impresses opposite stills and video alike
Type: Mirrorless | Sensor size: Micro Four Thirds | Resolution: 20.4MP | Lens: Micro Four Thirds | Monitor: 3.0-inch free-angle display, 1,037,000 dots | Viewfinder: EVF | Maximum continual sharpened speed: 60fps | Movies: 4K | User level: Expert
“The best Micro Four Thirds camera yet” was what we resolved from a time contrast a Olympus OM-D E-M1 Mark II, and video is one area where Olympus has done poignant improvements over prior models. Not usually do we get 4K constraint in both DCI and UHD flavours, we also get purify outlay over HDMI during 4:2:2, a headphone pier for audio monitoring and a advantages of Olympus’s quick Hybrid AF system, that works in and with a touchscreen for even easier theme selection. Whether you’re sharpened stills or videos, we also get one of a many effective picture stabilisation systems we’ve nonetheless seen, that will greatfully those who design to be mostly regulating a camera handheld. Other reasons because a camera walked divided with a full 5 stars embody a glorious weather-sealing, realistic EVF, and a capability to glow during 18fps with continual AF and AE tracking. Those who wish to simply grasp a really shoal abyss of margin competence not cite a smaller Micro Four Thirds sensor over larger-sensor offerings, though with a right lens and technique we can still besiege subjects from their vicinity on such a camera though bother. In any case, while Panasonic competence have had a conduct start with video, a OM-D E-M1 Mark II positively sets a bar high for a flagship Micro Four Thirds camera.
Read a full review: Olympus OM-D E-M1 Mark II
6. Nikon D500
Nikon’s flagship APS-C DSLR is an ideal partner for sports and action
Type: DSLR | Sensor size: APS-C-format CMOS | Resolution: 20.9MP | Lens: Nikon F | Screen type: 3.2-inch tilt-angle touchscreen, 2,359,000 dots | Viewfinder: Optical | Maximum continual sharpened speed: 10fps | Movies: 4K | User level: Expert
The long-awaited inheritor to a D300S arrived final year, and Nikon positively didn’t reason behind with a specs. With a uninformed 20.7MP sensor, a rarely modernized 153-point AF complement and 10fps sharpened for adult to 200 frames upheld by facilities such as a sloping touchscreen and whole apartment of connectivity options, a camera done a crafty sense opposite a arch rival, a Canon EOS 7D Mark II. Video-wise, there’s lots to love. The camera is able of 4K UHD constraint during 30p/25p/24p, and while a 1.5x stand cause practical to this (on tip of a existent APS-C stand factor) competence be seen as a drawback, we could also disagree that it’s an advantage on a camera designed with sports and movement in mind. Other video facilities embody ports for both microphone and headphone sockets, as good as a Flat Picture Profile, zebra patterning and Power Aperture Control. You can also record during 60fps, but, as is a box on many other 4K models, usually in Full HD quality. It’s sincerely pricey for an APS-C-based camera, nonetheless it now has a honour of being a cheapest DSLR to offer 4K, so it’s a no-brainer if we wish to take advantage of a format though switching to mirrorless.
Read a full review: Nikon D500
7. Fuji X-T2
The retro X array welcomes a initial 4K-enabled member
Type: Mirrorless | Sensor size: APS-C | Resolution: 24.3MP | Lens: Fuji X | Monitor: 3.0-inch tilt-angle display, 1,040,000 dots | Viewfinder: EVF | Maximum continual sharpened speed: 8fps | Movies: 4K | User level: Intermediate/Expert
The X-T2 was positively one of a highlights of a past 12 months, and showed usually how many some-more severely Fujifilm was holding video recording with a X series. Its 4K UHD footage is combined by oversampling – i.e. capturing some-more fact than compulsory – so a outlay footage ends adult with improved clarity and reduction risk of artefacts. You can also outlay 4:2:2 footage by a camera’s HDMI pier (albeit in 8-bit) and entrance a Log gamma form while doing so. Users who suffer regulating Fujifilm’s Film Simulations modes for stills will no doubt be gratified to know that we can also use these for video, nonetheless a inclusion of a headphone pier usually on a discretionary grip, together with a 10-minute time extent on 4K footage (at slightest though a grip), competence daunt some. Still, with weather-sealing, a enormous viewfinder and quick focusing, there’s copiousness to get vehement about. Ultimately, if we wish a smart, retro-styled camera that can glow high-quality stills and minute 4K footage, it’s tough to cruise of a some-more wise solution.
Read a full review: Fuji X-T2
8. Panasonic Lumix G80 / G85
With an glorious IS complement on board, a G80 is fit for handheld shooting
Type: Mirrorless | Sensor size: Micro Four Thirds | Resolution: 16MP | Lens: Micro Four Thirds | Monitor: 3.0-inch display, 1,040,000 dots | Viewfinder: EVF | Maximum continual sharpened speed: 9fps | Movies: 4K | User level: Beginner/intermediate
It competence be one of Panasonic’s some-more youth offerings in a Lumix operation of mirrorless cameras, though a Lumix G80 (known as a G85 in a US) has a advantage of being comparatively new, and so kitted out with a latest technology. The Dual IS Mark II complement means we advantage from both physique and lens picture stabilisation, and a former also works to solid unstabilised optics. Footage itself can be available during adult to 30p, during a bit rate of adult to 100Mbps, and we can also call on zebra patterning and concentration peaking to assistance when recording. Panasonic’s crafty Live Cropping underline is also on board, and this allows for professional-looking panning and zooming all in-camera, nonetheless this is outlay during HD quality. One bruise indicate is that there’s no headphone pier for audio monitoring, nonetheless this isn’t a vivid trip when we cruise a model’s aim market; what’s some-more pivotal is that there is a microphone port. The fact that a camera ‘only’ has a 16MP sensor is rather equivalent by a fact that it has no visual low-pass filter; we found this available glorious details, and with moiré usually spasmodic manifest in footage.
Read a full review: Panasonic Lumix G80 / G85
9. Sony Cyber-shot RX10 III
A enormous transport camera with glorious video – though it comes during a price
Type: Compact | Sensor size: 1-inch CMOS | Resolution: 20.2MP | Lens: 24-600mm, f/2.4-4 | Monitor: 3-inch tilting, 1.23 million dots | Viewfinder: EVF | Maximum continual sharpened speed: 14fps | Movies: 4K | User level: Intermediate/Expert
While a RX10 III competence not seem to be all that opposite to a existent RX10 II, it boasts a significantly longer 24-600mm lens alongside a built 1-inch form 20.2MP sensor. 4K UHD footage is prisoner with 1.7x some-more information than indeed compulsory though any pixel binning, before being downsampled to 4K for a consequence of quality. This happens during a 100Mbps limit bit rate, and we can boost a camera adult to 960fps for slow-motion footage too. All of this is upheld by a purify HDMI output, zebra patterning and both microphone and headphone ports. You also get an S-Log2 gamma form in further to a Picture Profiles (which we can adjust), and Sony’s Gamma Display Assist mode to assistance we get a improved thought of what graded footage would demeanour like. Sadly, Sony forsaken a ND filter benefaction in a RX10 II for this iteration, that competence not greatfully some videographers. Its effective picture stabilisation system, pointy lens and DSLR-style doing make it a winner, though during around $1,500 or good over £1,000 it’s not a inexpensive option, quite when we cruise a 1-inch sensor won’t give we a kind of range we competence get from something larger. Still, a cost is reflected to some grade in that glorious lens. For something identical though some-more affordable, a Panasonic FZ2000 / FZ25000 is also recommended.
Read a full review: Sony Cyber-shot RX10 III
10. Sony Cyber-shot RX100 V
You won’t get many change from 4 figures, though there’s no jealous a capabilities
Type: Compact | Sensor size: 1-inch CMOS | Resolution: 20.1MP | Lens: 24-70mm f/1.8-2.8 | Monitor: 3-inch tilting, 1.23 million dots | Viewfinder: EVF | Maximum continual sharpened speed: 24fps | Movies: 4K | User level: Intermediate
Sony has enjoyed many success with a RX100 line, and a latest RX100 V picks adult from where a Mark IV left off. Many of a video specs are common with a RX10 III, with footage available during 1.7x a volume compulsory and subsequently downsampled to 4K. You can record during adult to 30fps and take advantage of a stepless control ring around a lens, while ancillary functions embody an S-Log2 gamma profile, concentration peaking, zebra patterning and slow-motion recording. Naturally on such a tiny camera we don’t get ports for microphones or headphones, nonetheless a miss of a touchscreen competence worry people more. Still, we do get Sony’s glorious hybrid AF complement for focusing. Add a built-in ND filter, high-quality EVF, a sloping shade and a super-fast 24fps burst-shooting mode with autofocus and auto-exposure confirmed throughout, and it’s extraordinary that something so absolute can still trip inside your pocket. The cost tab is significant, though if it’s over your bill there’s still a RX100 IV, that manages to offer 4K sharpened and copiousness of common record during a keener cost point.
Read a full review: Sony Cyber-shot RX100 V